{"id":26,"date":"2019-02-11T18:14:41","date_gmt":"2019-02-11T18:14:41","guid":{"rendered":"https:\/\/desorganisation.org\/a-dying-play\/"},"modified":"2024-11-26T08:27:08","modified_gmt":"2024-11-26T08:27:08","slug":"a-dying-play","status":"publish","type":"post","link":"https:\/\/desorganisation.org\/en\/performing-arts\/a-dying-play\/","title":{"rendered":"A DYING PLAY"},"content":{"rendered":"<div class=\"n2_clear\"><ss3-force-full-width data-overflow-x=\"body\" data-horizontal-selector=\".entry-content\"><div class=\"n2-section-smartslider fitvidsignore  n2_clear\" data-ssid=\"27\" style=\"height:600px;\"><div id=\"n2-ss-27-align\" class=\"n2-ss-align\"><div class=\"n2-padding\"><template id=\"n2-ss-27_t\" data-loading-type=\"afterOnLoad\"><div id=\"n2-ss-27\" data-creator=\"Smart Slider 3\" data-responsive=\"fullwidth\" class=\"n2-ss-slider n2-ow n2-has-hover n2notransition  \"><div class=\"n2-ss-slider-wrapper-inside\">\n        <div class=\"n2-ss-slider-1 n2_ss__touch_element 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   <div class=\"n2-ss-slider-controls n2-ss-slider-controls-absolute-left-center\"><div style=\"--widget-offset:15px;\" class=\"n2-ss-widget nextend-arrow n2-ow-all nextend-arrow-previous  nextend-arrow-animated-fade\" data-hide-mobileportrait=\"1\" id=\"n2-ss-27-arrow-previous\" role=\"button\" aria-label=\"previous arrow\" tabindex=\"0\"><img loading=\"lazy\" decoding=\"async\" width=\"32\" height=\"32\" class=\"skip-lazy\" data-skip-lazy=\"1\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMzIiIGhlaWdodD0iMzIiIHZpZXdCb3g9IjAgMCAzMiAzMiIgeG1sbnM9Imh0dHA6Ly93d3cudzMub3JnLzIwMDAvc3ZnIj4KICAgIDxwYXRoIGQ9Ik0xMS40MzMgMTUuOTkyTDIyLjY5IDUuNzEyYy4zOTMtLjM5LjM5My0xLjAzIDAtMS40Mi0uMzkzLS4zOS0xLjAzLS4zOS0xLjQyMyAwbC0xMS45OCAxMC45NGMtLjIxLjIxLS4zLjQ5LS4yODUuNzYtLjAxNS4yOC4wNzUuNTYuMjg0Ljc3bDExLjk4IDEwLjk0Yy4zOTMuMzkgMS4wMy4zOSAxLjQyNCAwIC4zOTMtLjQuMzkzLTEuMDMgMC0xLjQybC0xMS4yNTctMTAuMjkiCiAgICAgICAgICBmaWxsPSIjMDA5OWZmIiBvcGFjaXR5PSIxIiBmaWxsLXJ1bGU9ImV2ZW5vZGQiLz4KPC9zdmc+\" alt=\"previous arrow\"><\/div><\/div><div class=\"n2-ss-slider-controls n2-ss-slider-controls-absolute-right-center\"><div style=\"--widget-offset:15px;\" class=\"n2-ss-widget nextend-arrow n2-ow-all nextend-arrow-next  nextend-arrow-animated-fade\" data-hide-mobileportrait=\"1\" id=\"n2-ss-27-arrow-next\" role=\"button\" aria-label=\"next arrow\" tabindex=\"0\"><img loading=\"lazy\" decoding=\"async\" width=\"32\" height=\"32\" class=\"skip-lazy\" data-skip-lazy=\"1\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMzIiIGhlaWdodD0iMzIiIHZpZXdCb3g9IjAgMCAzMiAzMiIgeG1sbnM9Imh0dHA6Ly93d3cudzMub3JnLzIwMDAvc3ZnIj4KICAgIDxwYXRoIGQ9Ik0xMC43MjIgNC4yOTNjLS4zOTQtLjM5LTEuMDMyLS4zOS0xLjQyNyAwLS4zOTMuMzktLjM5MyAxLjAzIDAgMS40MmwxMS4yODMgMTAuMjgtMTEuMjgzIDEwLjI5Yy0uMzkzLjM5LS4zOTMgMS4wMiAwIDEuNDIuMzk1LjM5IDEuMDMzLjM5IDEuNDI3IDBsMTIuMDA3LTEwLjk0Yy4yMS0uMjEuMy0uNDkuMjg0LS43Ny4wMTQtLjI3LS4wNzYtLjU1LS4yODYtLjc2TDEwLjcyIDQuMjkzeiIKICAgICAgICAgIGZpbGw9IiMwMDk5ZmYiIG9wYWNpdHk9IjEiIGZpbGwtcnVsZT0iZXZlbm9kZCIvPgo8L3N2Zz4=\" alt=\"next arrow\"><\/div><\/div><\/div><\/div><\/template><ss3-loader><\/ss3-loader><\/div><\/div><div class=\"n2_clear\"><\/div><\/div><\/ss3-force-full-width><\/div>\n\n<div style=\"text-align: justify;\">\n<p>text: Ani Vaseva, Boyan Manchev (including fragments by Lautr\u00e9amont) <br \/>director: Ani Vaseva <br \/>dramaturge: Boyan Manchev <br \/>stage design: Aglika Terzieva <br \/>photography and graphic design: Ivan Donchev <br \/>music: Yana Mancheva <br \/>sound engineer: Dobromir Hristoskov<\/p>\n<p>with: Viara Kolarova (then Ekaterina Stoyanova\/Galya Kostadinova), Leonid Yovchev, Petar Genkov<br \/>and the voices of Valentin Ganev and Ekaterina Stoyanova<\/p>\n<p>Premiere - November 2010, the fridge, Sofia<\/p>\n<p>A DYING PLAY operates in the space between macabre romantic metaphysics, black comedy and political satire, while parodying the conventional theatre forms in a spectacle that oscillates between the impossibility of death and its apocalyptic excess.<\/p>\n<p>A DYING PLAY is also a play about the actors: a play about the masquerade of the theatre hell; a play about the limits of the stage. Where the play dies and only the panopticon of the synthetic monsters remains.<\/p>\n<p>\u201cWe, who wanted justice, we know today: our desire have devastated us. Our body is out of joints, our organs are off the rails, we know in every cell of our body: we are dead\u201d.<\/p>\n<\/div>\n<div style=\"text-align: justify;\">\n<p>A DYING PLAY This is a kind of theatre that seeks possibilities to work with the images, the body and the concept people have about themselves and the society outside the familiar theatrical regime of representation (\u2026) The work of Ani Vaseva and Boyan Manchev includes the Bulgarian field in this process in a very original way, in active discussion with the existing names of the European stage.<br \/>Violeta Decheva, Kultura newspaper<\/p>\n<p>\u2026 theatre event that sells few performances in advance and about which rumors go around\u2026 \u2026 spectacle with phenomenal acting achievements, coming as a pleasant alternative to the status-quo with its original directing inventions and interesting dramaturgic developments. <br \/>Elena Peneva, Capital Light<\/p>\n<p>On the contrary of Wittgenstein\u2019s refusal of speaking about the things, about which one should remain silent, A Dying Play is an event on the Bulgarian stage that should be talked about. Because the talking conquers back the spaces from the forgetfulness and the indifference. <br \/>Nikolay Kolev, \u201cBibliotekata\u201d TV magazine on the National TV<\/p>\n<p>\u2026 the actors Ekaterina Stoyanova, Leonid Yovchev and Petar Genkov are brilliant in their total self-giving...<\/p>\n<p>The performance is full with sense of humor, generated in the absurdity of excess. It reminds the sinister, cynical and deceitful \u201ceverything will be alright\u201d the murderer whispers before compelling his victim to the state of dying \u2013 before we let finally go of the idea of exit.<br \/>Miroslava Marianova, Literaturen Vestnik newspaper<\/p>\n<p>If this is a play about the body, then it breaks the easy and predictable attempts of cancelation of the representation. It laughs at the vitalist myths by opposing them nothing else but the infantile excessive experience \u2013 radical, true and above all childish, spontaneous. It opposes them also the image of the excessivity as clich\u00e9, as product, as extreme reduction of the sense. <br \/>Monika Vakarelova, Literaturen Vestnik<\/p>\n<\/div>\n<p style=\"text-align: justify;\">- - -<\/p>\n<p>A Dying Play was created with the support of the Bulgarian Ministry of Culture and the fridge.<\/p>\n<div style=\"text-align: justify;\">\u00a0<\/div>\n<div style=\"text-align: justify;\">Trailer<\/div>\n<div style=\"text-align: justify;\">\n<div class=\"lyte-wrapper fourthree\" style=\"width:420px;max-width:100%;margin:5px;\"><div class=\"lyMe\" id=\"WYL_oLDbySQyLUc\"><div id=\"lyte_oLDbySQyLUc\" data-src=\"https:\/\/desorganisation.org\/wp-content\/plugins\/wp-youtube-lyte\/lyteCache.php?origThumbUrl=%2F%2Fi.ytimg.com%2Fvi%2FoLDbySQyLUc%2Fhqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\"><\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/oLDbySQyLUc\" rel=\"nofollow\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/desorganisation.org\/wp-content\/plugins\/wp-youtube-lyte\/lyteCache.php?origThumbUrl=https%3A%2F%2Fi.ytimg.com%2Fvi%2FoLDbySQyLUc%2F0.jpg\" alt=\"YouTube video thumbnail\" width=\"420\" height=\"295\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:420px;margin:5px;\"><\/div><\/p>\n<\/div>\n<div style=\"text-align: justify;\">\u00a0<\/div>\n<div style=\"text-align: justify;\">Actors\u2019s Chorus<\/div>\n<div style=\"text-align: justify;\">\n<div class=\"lyte-wrapper fourthree\" style=\"width:420px;max-width:100%;margin:5px;\"><div class=\"lyMe\" id=\"WYL_sOObLyjpH40\"><div id=\"lyte_sOObLyjpH40\" data-src=\"https:\/\/desorganisation.org\/wp-content\/plugins\/wp-youtube-lyte\/lyteCache.php?origThumbUrl=%2F%2Fi.ytimg.com%2Fvi%2FsOObLyjpH40%2Fhqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\"><\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/sOObLyjpH40\" rel=\"nofollow\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/desorganisation.org\/wp-content\/plugins\/wp-youtube-lyte\/lyteCache.php?origThumbUrl=https%3A%2F%2Fi.ytimg.com%2Fvi%2FsOObLyjpH40%2F0.jpg\" alt=\"YouTube video thumbnail\" width=\"420\" height=\"295\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:420px;margin:5px;\"><\/div><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>text: Ani Vaseva, Boyan Manchev (including fragments by Lautr\u00e9amont) director: Ani Vaseva dramaturge: Boyan Manchev stage design: Aglika Terzieva photography and graphic design: Ivan Donchev music: Yana Mancheva sound engineer: Dobromir Hristoskov with: Viara Kolarova (then Ekaterina Stoyanova\/Galya Kostadinova), Leonid Yovchev, Petar Genkovand the voices of Valentin Ganev and Ekaterina Stoyanova Premiere &#8211; November 2010, <a href=\"https:\/\/desorganisation.org\/en\/performing-arts\/a-dying-play\/\" class=\"more-link\">&#8230;<span class=\"screen-reader-text\">  A DYING PLAY<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[6],"tags":[74,46,47,73,48,44,59],"class_list":["post-26","post","type-post","status-publish","format-standard","hentry","category-performing-arts","tag-a-dying-play","tag-ani-vaseva","tag-boyan-manchev","tag-dying-play","tag-leonid-yovchev","tag-metheor","tag-theatre"],"acf":[],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 5.0.0.1 - aioseo.com -->\n\t<meta name=\"description\" content=\"Metheor&#039;s iconic early performance, groundbreaking in its experimentation with new body, 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