Graphic design: Monika Vakarelova<\/p>\n
Cover painting: Mira Tisheva<\/p>\n
Metheor, Sofia, 2023<\/p>\n
Because in theatre thought and touch are miraculous, the plural is possible in the singular, because in theatre both time and space become plural and reveal themselves as plural.
\nBecause in theatre we understand the instability of the world \u2013 through our body with all its parts, including the mind.
\nBecause in theatre friendship is fleeting but real, because communication is as inevitable as solitude.
\nBecause in theatre you need to enter with love and friendship. In theatre you cannot help but love those you work with. Love without obligation (but obligatory), without horizon; love that doesn\u2019t bind you outside the boundaries of theatre, but that absolutely obliges you within it. Theatre is absolute fleeting love.
\nBecause theatre lives between repetition and difference, between work and pleasure (where work is a pleasure). In theatre, repetition doesn\u2019t kill freedom, it gives birth to the possibility of freedom. Theatre requires virtuosity. Pleasure and technique, the pleasure of technique.
\nMetheor's theatre is a theatre of miracles.<\/p>\n
Ani Vaseva, Theatre of Miracles. Prologue<\/p>\n
Theatre of Miracles<\/em> is neither an apologia for, nor a paean to, theatre; nor is it an allegory of life called \u201ctheatre\u201d. This book with a protean genre \u2013 it is not simply a manifesto, a theoretical reflection or personal recapitulation, but all of these at once \u2013 effects a transformation of experience; thus experience-theatre evolves into a philosophy. But also into a sharing of experience in which the distinction between object and subject wavers, engendering hesitation and indistinguishability; it is like a membrane, like a front through which flit will-o'-the-wisps, unhidden passions and innermost secrets<\/p>\n Boyan Manchev<\/p>\n","protected":false},"excerpt":{"rendered":" Graphic design: Monika Vakarelova Cover painting: Mira Tisheva Metheor, Sofia, 2023 Because in theatre thought and touch are miraculous, the plural is possible in the singular, because in theatre both time and space become plural and reveal themselves as plural. Because in theatre we understand the instability of the world \u2013 through our body with … THEATRE OF MIRACLES BY ANI VASEVA<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":755,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[9],"tags":[46,156,47,365],"class_list":["post-276","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-books","tag-ani-vaseva","tag-books","tag-boyan-manchev","tag-tempus-fugit"],"acf":[],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t