{"id":29,"date":"2019-02-11T18:56:19","date_gmt":"2019-02-11T18:56:19","guid":{"rendered":"https:\/\/desorganisation.org\/s\/"},"modified":"2024-11-26T08:30:18","modified_gmt":"2024-11-26T08:30:18","slug":"s","status":"publish","type":"post","link":"https:\/\/desorganisation.org\/en\/performing-arts\/s\/","title":{"rendered":"S"},"content":{"rendered":"<div class=\"n2_clear\"><ss3-force-full-width data-overflow-x=\"body\" data-horizontal-selector=\".entry-content\"><div class=\"n2-section-smartslider fitvidsignore  n2_clear\" data-ssid=\"28\" style=\"height:600px;\"><div id=\"n2-ss-28-align\" class=\"n2-ss-align\"><div class=\"n2-padding\"><template id=\"n2-ss-28_t\" data-loading-type=\"afterOnLoad\"><div id=\"n2-ss-28\" data-creator=\"Smart Slider 3\" data-responsive=\"fullwidth\" class=\"n2-ss-slider n2-ow n2-has-hover n2notransition  \"><div class=\"n2-ss-slider-wrapper-inside\">\n        <div class=\"n2-ss-slider-1 n2_ss__touch_element n2-ow\">\n            <div 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data-pm=\"default\"><\/div><\/div><\/div>                    <\/div>\n\n                                    <\/div>\n            <\/div>\n        <\/div>\n        <div class=\"n2-ss-slider-controls n2-ss-slider-controls-absolute-left-center\"><div style=\"--widget-offset:15px;\" class=\"n2-ss-widget nextend-arrow n2-ow-all nextend-arrow-previous  nextend-arrow-animated-fade\" data-hide-mobileportrait=\"1\" id=\"n2-ss-28-arrow-previous\" role=\"button\" aria-label=\"previous arrow\" tabindex=\"0\"><img loading=\"lazy\" decoding=\"async\" width=\"32\" height=\"32\" class=\"skip-lazy\" data-skip-lazy=\"1\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMzIiIGhlaWdodD0iMzIiIHZpZXdCb3g9IjAgMCAzMiAzMiIgeG1sbnM9Imh0dHA6Ly93d3cudzMub3JnLzIwMDAvc3ZnIj4KICAgIDxwYXRoIGQ9Ik0xMS40MzMgMTUuOTkyTDIyLjY5IDUuNzEyYy4zOTMtLjM5LjM5My0xLjAzIDAtMS40Mi0uMzkzLS4zOS0xLjAzLS4zOS0xLjQyMyAwbC0xMS45OCAxMC45NGMtLjIxLjIxLS4zLjQ5LS4yODUuNzYtLjAxNS4yOC4wNzUuNTYuMjg0Ljc3bDExLjk4IDEwLjk0Yy4zOTMuMzkgMS4wMy4zOSAxLjQyNCAwIC4zOTMtLjQuMzkzLTEuMDMgMC0xLjQybC0xMS4yNTctMTAuMjkiCiAgICAgICAgICBmaWxsPSIjMDA5OWZmIiBvcGFjaXR5PSIxIiBmaWxsLXJ1bGU9ImV2ZW5vZGQiLz4KPC9zdmc+\" alt=\"previous arrow\"><\/div><\/div><div class=\"n2-ss-slider-controls n2-ss-slider-controls-absolute-right-center\"><div style=\"--widget-offset:15px;\" class=\"n2-ss-widget nextend-arrow n2-ow-all nextend-arrow-next  nextend-arrow-animated-fade\" data-hide-mobileportrait=\"1\" id=\"n2-ss-28-arrow-next\" role=\"button\" aria-label=\"next arrow\" tabindex=\"0\"><img loading=\"lazy\" decoding=\"async\" width=\"32\" height=\"32\" class=\"skip-lazy\" data-skip-lazy=\"1\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMzIiIGhlaWdodD0iMzIiIHZpZXdCb3g9IjAgMCAzMiAzMiIgeG1sbnM9Imh0dHA6Ly93d3cudzMub3JnLzIwMDAvc3ZnIj4KICAgIDxwYXRoIGQ9Ik0xMC43MjIgNC4yOTNjLS4zOTQtLjM5LTEuMDMyLS4zOS0xLjQyNyAwLS4zOTMuMzktLjM5MyAxLjAzIDAgMS40MmwxMS4yODMgMTAuMjgtMTEuMjgzIDEwLjI5Yy0uMzkzLjM5LS4zOTMgMS4wMiAwIDEuNDIuMzk1LjM5IDEuMDMzLjM5IDEuNDI3IDBsMTIuMDA3LTEwLjk0Yy4yMS0uMjEuMy0uNDkuMjg0LS43Ny4wMTQtLjI3LS4wNzYtLjU1LS4yODYtLjc2TDEwLjcyIDQuMjkzeiIKICAgICAgICAgIGZpbGw9IiMwMDk5ZmYiIG9wYWNpdHk9IjEiIGZpbGwtcnVsZT0iZXZlbm9kZCIvPgo8L3N2Zz4=\" alt=\"next arrow\"><\/div><\/div><\/div><\/div><\/template><ss3-loader><\/ss3-loader><\/div><\/div><div class=\"n2_clear\"><\/div><\/div><\/ss3-force-full-width><\/div>\n\n<div style=\"text-align: justify;\">director: Ani Vaseva<br \/>consultant: Boyan Manchev <br \/>sound: Lubomir Brashnenkov <br \/>costumes: Neli Miteva <br \/>photography and graphic design: Ivan Donchev\n<p>with: Iva Sveshtarova, Elena Dimitrova, Petar Genkov, Lubomir Brashnenkov, Georgi Sharov and Cats Under Cars band.<\/p>\n<p>Premiere during the \u201eAntistatic\u201d festival, April 2010, \u201eThe Red House\u201d, Sofia<\/p>\n<p>S is exploration of the gesture production and of the technologies of violence in this process. And this is done in extreme and very expressive way of working with the actors \u2013 with the body, the space, the emotion, the rhythm. The painful and exalted \u201cpeeling off\u201d of the clothes, similar to the to the vital effort of taking off the pullover by the character of one of Cortazar\u2019s short stories, is a good example of drawing the attention towards the living into the gesture. The actor\u2019s work is achievement, beyond the known here alternative attempts, which, with all their striving for radicalism, remain in the logic of the aesthetized and instrumentalized actor\u2019s body. Iva Sveshtarova, Elena Dimitrova, Petar Genkov take the risk to search expression without the help of any known \u201cmethod\u201d and are put in situation of intense self-reflection. The double regime of work in the exploration \u2013 in the same time of exalted experience and its estrangement in the technology of becoming of the gesture \u2013 is searched through the mood and the figure of infantilism. <br \/>Violeta Detcheva, Kultura newspaper<\/p>\n<p>Hectic rhythm, stretched to the breaking point muscles, sore throats, three bottles of whipped cream and gallons of sweat was the final balance from the \"S\" premiere. And three great performers \u2013 Iva Sveshtarova, turning from nice ginger cat into enraged tiger, Elena Dimitrova with vocal abilities like those of Courtney Love and Petar Genkov, who has earned additional admiration for enduring the tight white tights an hour.<br \/>Zdravko Grigorov, <a href=\"https:\/\/www.pozorcompany.com\">www.pozorcompany.com <\/a><\/p>\n<p>S seriously experiments with the ability of the constructed as actor\u2019s body on stage to go beyond its cultural presumption, twice protected by the theater situation, and to go into detailed and self-concentrated exploration of its physical endurance and plastic expressivity, driven completely beyond the disciplinating aesthetic intention. The performance of Iva Sveshtarova, Elena Dimitrova and Petar Genkov is impressive with their organic presence, optimally stripped of deliberateness, like left on its self-feeding physical impulse. Very intriguing attempt to disarm the actor\u2019s representation, by depriving it of all its supporting points. <br \/>Miroslava Maryianova, Lik magazine<\/p>\n<\/div>\n<p style=\"text-align: justify;\">- - -<\/p>\n<p>S was created with the support of Sofia Municipality and Biveda Association.<\/p>\n<div style=\"text-align: justify;\">\u00a0<\/div>\n<div style=\"text-align: justify;\">Teaser<\/div>\n<div style=\"text-align: justify;\">\n<div class=\"lyte-wrapper fourthree\" style=\"width:420px;max-width:100%;margin:5px;\"><div class=\"lyMe\" id=\"WYL_k5NcaZh1IEA\"><div id=\"lyte_k5NcaZh1IEA\" data-src=\"https:\/\/desorganisation.org\/wp-content\/plugins\/wp-youtube-lyte\/lyteCache.php?origThumbUrl=%2F%2Fi.ytimg.com%2Fvi%2Fk5NcaZh1IEA%2Fhqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\"><\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/k5NcaZh1IEA\" rel=\"nofollow\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/desorganisation.org\/wp-content\/plugins\/wp-youtube-lyte\/lyteCache.php?origThumbUrl=https%3A%2F%2Fi.ytimg.com%2Fvi%2Fk5NcaZh1IEA%2F0.jpg\" alt=\"YouTube video thumbnail\" width=\"420\" height=\"295\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:420px;margin:5px;\"><\/div><\/p>\n<\/div>\n<div style=\"text-align: justify;\">\u00a0<\/div>\n<div style=\"text-align: justify;\">Ending<\/div>\n<div style=\"text-align: justify;\">\n<div class=\"lyte-wrapper fourthree\" style=\"width:420px;max-width:100%;margin:5px;\"><div class=\"lyMe\" id=\"WYL_x9UOAoVoEI4\"><div id=\"lyte_x9UOAoVoEI4\" data-src=\"https:\/\/desorganisation.org\/wp-content\/plugins\/wp-youtube-lyte\/lyteCache.php?origThumbUrl=%2F%2Fi.ytimg.com%2Fvi%2Fx9UOAoVoEI4%2Fhqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\"><\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/x9UOAoVoEI4\" rel=\"nofollow\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/desorganisation.org\/wp-content\/plugins\/wp-youtube-lyte\/lyteCache.php?origThumbUrl=https%3A%2F%2Fi.ytimg.com%2Fvi%2Fx9UOAoVoEI4%2F0.jpg\" alt=\"YouTube video thumbnail\" width=\"420\" height=\"295\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:420px;margin:5px;\"><\/div><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>director: Ani Vasevaconsultant: Boyan Manchev sound: Lubomir Brashnenkov costumes: Neli Miteva photography and graphic design: Ivan Donchev with: Iva Sveshtarova, Elena Dimitrova, Petar Genkov, Lubomir Brashnenkov, Georgi Sharov and Cats Under Cars band. Premiere during the \u201eAntistatic\u201d festival, April 2010, \u201eThe Red House\u201d, Sofia S is exploration of the gesture production and of the technologies <a href=\"https:\/\/desorganisation.org\/en\/performing-arts\/s\/\" class=\"more-link\">&#8230;<span class=\"screen-reader-text\">  S<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[6],"tags":[46],"class_list":["post-29","post","type-post","status-publish","format-standard","hentry","category-performing-arts","tag-ani-vaseva"],"acf":[],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 5.0.0.1 - aioseo.com -->\n\t<meta name=\"description\" content=\"Performance about excess and resistance, about infantile pleasure and resilience. 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