{"id":90,"date":"2019-04-30T17:24:36","date_gmt":"2019-04-30T17:24:36","guid":{"rendered":"https:\/\/desorganisation.org\/hoffmann\/"},"modified":"2024-11-26T07:52:38","modified_gmt":"2024-11-26T07:52:38","slug":"hoffmann","status":"publish","type":"post","link":"https:\/\/desorganisation.org\/en\/performing-arts\/hoffmann\/","title":{"rendered":"HOFFMANN"},"content":{"rendered":"<div class=\"n2_clear\"><ss3-force-full-width data-overflow-x=\"body\" data-horizontal-selector=\".entry-content\"><div class=\"n2-section-smartslider fitvidsignore  n2_clear\" data-ssid=\"16\" style=\"height:600px;\"><div id=\"n2-ss-16-align\" class=\"n2-ss-align\"><div class=\"n2-padding\"><template id=\"n2-ss-16_t\" data-loading-type=\"afterOnLoad\"><div id=\"n2-ss-16\" data-creator=\"Smart Slider 3\" data-responsive=\"fullwidth\" class=\"n2-ss-slider n2-ow n2-has-hover n2notransition  \"><div class=\"n2-ss-slider-wrapper-inside\">\n        <div class=\"n2-ss-slider-1 n2_ss__touch_element n2-ow\">\n         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class=\"n2-ss-slide-background-color\"><\/div><\/div><\/div>                    <div class=\"n2-ss-slider-4 n2-ow\">\n                        <svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 1200 600\" data-related-device=\"desktopPortrait\" class=\"n2-ow n2-ss-preserve-size n2-ss-preserve-size--slider n2-ss-slide-limiter\"><\/svg><div data-first=\"1\" data-slide-duration=\"0\" data-id=\"167\" data-slide-public-id=\"1\" data-title=\"hoffman1\" class=\"n2-ss-slide n2-ow  n2-ss-slide-167\"><div role=\"note\" class=\"n2-ss-slide--focus\" tabindex=\"-1\">hoffman1<\/div><div class=\"n2-ss-layers-container n2-ss-slide-limiter n2-ow\"><div class=\"n2-ss-layer n2-ow n-uc-WLqD2QE1KXZi\" data-sstype=\"slide\" data-pm=\"default\"><\/div><\/div><\/div><div data-slide-duration=\"0\" data-id=\"168\" data-slide-public-id=\"2\" aria-hidden=\"true\" data-title=\"11\" class=\"n2-ss-slide n2-ow  n2-ss-slide-168\"><div role=\"note\" class=\"n2-ss-slide--focus\" tabindex=\"-1\">11<\/div><div 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class=\"n2-ss-slide--focus\" tabindex=\"-1\">61<\/div><div class=\"n2-ss-layers-container n2-ss-slide-limiter n2-ow\"><div class=\"n2-ss-layer n2-ow n-uc-PUhxdYVsRmvP\" data-sstype=\"slide\" data-pm=\"default\"><\/div><\/div><\/div><div data-slide-duration=\"0\" data-id=\"174\" data-slide-public-id=\"8\" aria-hidden=\"true\" data-title=\"7\" class=\"n2-ss-slide n2-ow  n2-ss-slide-174\"><div role=\"note\" class=\"n2-ss-slide--focus\" tabindex=\"-1\">7<\/div><div class=\"n2-ss-layers-container n2-ss-slide-limiter n2-ow\"><div class=\"n2-ss-layer n2-ow n-uc-jGf0vRIji5RQ\" data-sstype=\"slide\" data-pm=\"default\"><\/div><\/div><\/div><div data-slide-duration=\"0\" data-id=\"175\" data-slide-public-id=\"9\" aria-hidden=\"true\" data-title=\"8\" class=\"n2-ss-slide n2-ow  n2-ss-slide-175\"><div role=\"note\" class=\"n2-ss-slide--focus\" tabindex=\"-1\">8<\/div><div class=\"n2-ss-layers-container n2-ss-slide-limiter n2-ow\"><div class=\"n2-ss-layer n2-ow n-uc-Z9a9kGvSPTAY\" data-sstype=\"slide\" data-pm=\"default\"><\/div><\/div><\/div><div data-slide-duration=\"0\" data-id=\"176\" data-slide-public-id=\"10\" aria-hidden=\"true\" data-title=\"9\" class=\"n2-ss-slide n2-ow  n2-ss-slide-176\"><div role=\"note\" class=\"n2-ss-slide--focus\" tabindex=\"-1\">9<\/div><div class=\"n2-ss-layers-container n2-ss-slide-limiter n2-ow\"><div class=\"n2-ss-layer n2-ow n-uc-SmroCShOM2Vi\" data-sstype=\"slide\" data-pm=\"default\"><\/div><\/div><\/div><div data-slide-duration=\"0\" data-id=\"177\" data-slide-public-id=\"11\" aria-hidden=\"true\" data-title=\"hoffman2\" class=\"n2-ss-slide n2-ow  n2-ss-slide-177\"><div role=\"note\" class=\"n2-ss-slide--focus\" tabindex=\"-1\">hoffman2<\/div><div class=\"n2-ss-layers-container n2-ss-slide-limiter n2-ow\"><div class=\"n2-ss-layer n2-ow n-uc-3yJRWJ8XOqoc\" data-sstype=\"slide\" data-pm=\"default\"><\/div><\/div><\/div>                    <\/div>\n\n                                    <\/div>\n            <\/div>\n        <\/div>\n        <div class=\"n2-ss-slider-controls n2-ss-slider-controls-absolute-left-center\"><div style=\"--widget-offset:15px;\" class=\"n2-ss-widget nextend-arrow n2-ow-all nextend-arrow-previous  nextend-arrow-animated-fade\" data-hide-mobileportrait=\"1\" id=\"n2-ss-16-arrow-previous\" role=\"button\" aria-label=\"previous arrow\" tabindex=\"0\"><img loading=\"lazy\" decoding=\"async\" width=\"32\" height=\"32\" class=\"skip-lazy\" data-skip-lazy=\"1\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMzIiIGhlaWdodD0iMzIiIHZpZXdCb3g9IjAgMCAzMiAzMiIgeG1sbnM9Imh0dHA6Ly93d3cudzMub3JnLzIwMDAvc3ZnIj4KICAgIDxwYXRoIGQ9Ik0xMS40MzMgMTUuOTkyTDIyLjY5IDUuNzEyYy4zOTMtLjM5LjM5My0xLjAzIDAtMS40Mi0uMzkzLS4zOS0xLjAzLS4zOS0xLjQyMyAwbC0xMS45OCAxMC45NGMtLjIxLjIxLS4zLjQ5LS4yODUuNzYtLjAxNS4yOC4wNzUuNTYuMjg0Ljc3bDExLjk4IDEwLjk0Yy4zOTMuMzkgMS4wMy4zOSAxLjQyNCAwIC4zOTMtLjQuMzkzLTEuMDMgMC0xLjQybC0xMS4yNTctMTAuMjkiCiAgICAgICAgICBmaWxsPSIjMDA5OWZmIiBvcGFjaXR5PSIxIiBmaWxsLXJ1bGU9ImV2ZW5vZGQiLz4KPC9zdmc+\" 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src=\"data:image\/svg+xml;base64,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\" alt=\"next arrow\"><\/div><\/div><\/div><\/div><\/template><ss3-loader><\/ss3-loader><\/div><\/div><div class=\"n2_clear\"><\/div><\/div><\/ss3-force-full-width><\/div>\n\n<div style=\"text-align: justify;\">\n<div>\n<div>Bilingual performance about E.T.A. Hoffmann<\/div>\n<div>\u00a0<\/div>\n<\/div>\n<p>director: Ani Vaseva<br \/>text: Ani Vaseva, Boyan Manchev, including fragments by E.T.A. Hoffmann<br \/>German-Bulgarian translation: Strashimir Djamdjiev, Teodor Berberov, Nina Chilianska<br \/>Bulgarian-German translation: Elvira Bormann<br \/>German-language tutor: Ventzislava Dikova<br \/>apparatuses: Stefan Donchev<br \/>music: Kristian Alexiev<br \/>costumes: Ani Vaseva, Teodora Bambikova, Borislav Borisov<br \/>photography: Boryana Pandova, Zafer Galibov and Metheor archive<\/p>\n<\/div>\n<div style=\"text-align: justify;\">Cast: Leonid Yovchev and Stefan Milkov<br \/>and the voices of Karin Mueller Stefanov, Annett Hardegen, Dirk Cieslak, Kristian Alexiev and Ventzislava Dikova\n<p>Premiere: May 2019, Goethe-Institut Bulgaria<\/p>\n<\/div>\n<div style=\"text-align: justify;\">This performance is dedicated to the life and art of E.T.A. Hoffmann. To the Romantic demons, to the beautiful and the ugly, to the uncanny, to technology and poetry. \u201cHoffmann is a writer of what should be and not of what is.\u201d<\/div>\n<p style=\"text-align: justify;\">Hoffmann\u2019s oeuvre has left its mark on all fantastic fiction since the nineteenth century: from Gogol and Balzac, through Dostoevsky, Edgar Allan Poe and Baudelaire, to Kafka, Thomas Mann, Bulgakov, and contemporary fantastic fiction in general. His stories have become the basis of many musical works, the most famous among them being Schumann\u2019s Kreisleriana, Tchaikovsky\u2019s The Nutcracker, Offenbach\u2019s The Tales of Hoffmann, and L\u00e9o Delibes\u2019s Copp\u00e9lia.<\/p>\n<p>E.T.A. Hoffman is a strange and unusual figure. Unusual for the history of literature in general, but also for his own time and for the literary current to which he belonged. Whereas most of the great Romantic authors \u2013 Byron, Shelley, Blake, Coleridge, Pushkin, Lermontov, Novalis, Tieck \u2013 turned to the fantastic as a sublime substitute for reality, Hoffman invented a new form of the fantastic: grotesque, funny, mixing everyday reality with an eccentric imaginary world, but no less extraordinary and, most importantly, no less exciting and desirable. The fantastic in Hoffmann\u2019s fiction is paradoxical and inexplicable. It brings together contradictory, often mutually exclusive, phenomena. Nowhere does the author bother to explain to the kind reader how these incompatible elements are combined \u2013 an approach that later became central to Gogol\u2019s work.<br \/>The starting hypothesis of our work, which also underlies our creative interest in Hoffmann, is precisely a hypothesis on the fantastic. In our view, true Hoffmannmania, which indirectly continues to this day, cannot be explained without the \u201cHoffmann effect\u201d: the effect of destabilizing the real, of extracting the surreal from the very structure of the banal everyday fabric of the real. The \u201cHoffmann effect\u201d preceded and paved the way for the modern psychologization of art, as well as for the emergence of psychoanalysis itself. The iconic contemporary genres of psychological thriller and science fiction are under the sign of Hoffmann. We are interested in the inversion of the Romantic myth of the author as well as in the introduction of an alternative idea of creativity and an attempt to create reality, all of which were no less tragic than the Romantic ones, but without any ostentatious self-heroization.<\/p>\n<p>The significance of Hoffmann\u2019s work for modern theatre in this respect is key. Not only ballet, operetta, and opera of the nineteenth century owed much to Hoffmann; some of the revolutionary theatre directors of the early twentieth century were directly inspired by his work. Tairov staged Hoffmann\u2019s Prinzessin Brambilla; Hoffmann also influenced Vsevolod Meyerhold, among whose favourite authors he was. This interest makes possible the hypothesis of a connection between Meyerhold\u2019s method of biomechanics and Hoffmann\u2019s automata, as well as between the uncanny in Hoffman\u2019s work and Freud\u2019s idea of the automatism of the unconscious, exploited artistically by Surrealism.<\/p>\n<p><em>Hoffmann<\/em> was created with the support of Sofia Municipality\u2019s Culture Programme and Goethe-Institut Bulgaria.<\/p>\n<div style=\"text-align: justify;\">Excerpt 1<\/div>\n<div style=\"text-align: justify;\">\n<div class=\"lyte-wrapper fourthree\" style=\"width:420px;max-width:100%;margin:5px;\"><div class=\"lyMe\" id=\"WYL_eVk9ZJQvA3M\"><div id=\"lyte_eVk9ZJQvA3M\" data-src=\"https:\/\/desorganisation.org\/wp-content\/plugins\/wp-youtube-lyte\/lyteCache.php?origThumbUrl=%2F%2Fi.ytimg.com%2Fvi%2FeVk9ZJQvA3M%2Fhqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\"><\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/eVk9ZJQvA3M\" rel=\"nofollow\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/desorganisation.org\/wp-content\/plugins\/wp-youtube-lyte\/lyteCache.php?origThumbUrl=https%3A%2F%2Fi.ytimg.com%2Fvi%2FeVk9ZJQvA3M%2F0.jpg\" alt=\"YouTube video thumbnail\" width=\"420\" height=\"295\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:420px;margin:5px;\"><\/div><\/p>\n<\/div>\n<div style=\"text-align: justify;\">\u00a0<\/div>\n<div style=\"text-align: justify;\">Excerpt 2<\/div>\n<div style=\"text-align: justify;\">\n<div class=\"lyte-wrapper fourthree\" style=\"width:420px;max-width:100%;margin:5px;\"><div class=\"lyMe\" id=\"WYL_tjcKTS4XQYI\"><div id=\"lyte_tjcKTS4XQYI\" data-src=\"https:\/\/desorganisation.org\/wp-content\/plugins\/wp-youtube-lyte\/lyteCache.php?origThumbUrl=%2F%2Fi.ytimg.com%2Fvi%2FtjcKTS4XQYI%2Fhqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\"><\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/tjcKTS4XQYI\" rel=\"nofollow\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/desorganisation.org\/wp-content\/plugins\/wp-youtube-lyte\/lyteCache.php?origThumbUrl=https%3A%2F%2Fi.ytimg.com%2Fvi%2FtjcKTS4XQYI%2F0.jpg\" alt=\"YouTube video thumbnail\" width=\"420\" height=\"295\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:420px;margin:5px;\"><\/div><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Bilingual performance about E.T.A. Hoffmann \u00a0 director: Ani Vasevatext: Ani Vaseva, Boyan Manchev, including fragments by E.T.A. HoffmannGerman-Bulgarian translation: Strashimir Djamdjiev, Teodor Berberov, Nina ChilianskaBulgarian-German translation: Elvira BormannGerman-language tutor: Ventzislava Dikovaapparatuses: Stefan Donchevmusic: Kristian Alexievcostumes: Ani Vaseva, Teodora Bambikova, Borislav Borisovphotography: Boryana Pandova, Zafer Galibov and Metheor archive Cast: Leonid Yovchev and Stefan Milkovand the <a href=\"https:\/\/desorganisation.org\/en\/performing-arts\/hoffmann\/\" class=\"more-link\">&#8230;<span class=\"screen-reader-text\">  HOFFMANN<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[6],"tags":[46,47,166,48,44],"class_list":["post-90","post","type-post","status-publish","format-standard","hentry","category-performing-arts","tag-ani-vaseva","tag-boyan-manchev","tag-hoffmann","tag-leonid-yovchev","tag-metheor"],"acf":[],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 5.0.0.1 - aioseo.com -->\n\t<meta name=\"description\" content=\"Bilingual performance about E.T.A. 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